Some aspects of /r/ articulation in French Vocal Speech

Authors

  • Ulyana Kochetkova Department of Philology, Saint-Petersburg State University, Russia Author

DOI:

https://doi.org/10.36505/ExLing-2016/07/0018/000277

Keywords:

singing, French, phonetic-phonological analysis, pronunciation models

Abstract

This study analyses some common and individual strategies in choosing /r/-variants in French vocal speech. The problem of the /r/ pronunciation is approached from a new side by considering deviations from singers’ main /r/ articulation model. The following analysis has been done: examination of the individual and common preferences of 2 different generations of singers in /r/ articulation in French lyric songs and operatic arias; study of deviations frequency in different phonetic contexts in its relation to musical phrase boundaries.

References

Bacilly, B (de). 1679. L’art de bien chanter de M.de Bacilly. Paris, Bacilly.

Garcia, M. 1851. Ecole de Garcia: traité complet de l’art du chant. Paris, Mayence.

Grubb, Th. 1979. Singing in French: a Manual of French Diction and French Vocal Repertoire. Belmont, Schirmer Books.

Duval, G. 1878. Artistes et cabotins. Paris, Ollendorf.

Lavoix, H., Lemaire, Th. 1881. Le chant. Ses principes et son histoire. Paris, Heugel et fils.

Nedecky, J. 2015. French Diction for Singers. A Handbook of Pronunciation for French Opera and Melodie. Toronto, Book POD.

Vennard, W. 1967. Singing. The Mechanism and the Technic. New York, Karl Fischer.

Yarbrough, J. 1991. Modern Languages for Musicians. Stuyvesant, Pendragon Press.

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Published

01-01-2016

How to Cite

Some aspects of /r/ articulation in French Vocal Speech. (2016). Linguistic Proceedings Series, 7(1), 87-90. https://doi.org/10.36505/ExLing-2016/07/0018/000277

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